I am currently processing a few different bodies of work. In one mixed media series, loosely called Exploration of Invented Scapes, I am fabricating temporary models for impossible structures, using varied materials: Plexiglas, wood, laminate, aluminum, Xerox -- sourcing photographs of these constructs for my new "paintings".
My existing work explores a kind of seismographic translation of both visual and auditory information. This work is generated through an approach of "bare attention", a creative practice of alert meditation allowing an open, non-critical awareness of the present. The practice permits all external stimulation, whatever the source, to merge into a singular field. The resulting work is a translation of the sound world and image world. My intention is for the work to offer a space within which one may absorb the energetic image as a wordless occasion.