I am currently processing a few different bodies of work. A mixed media series, loosely titled Exploration of Invented Scapes, involves fabricating temporary models for impossible structures using plexiglass, wood, laminate, aluminum, xerox – then sourcing photographs of these constructs for multi-planar “paintings”.

Much of my work is generated through an approach of "bare attention," a creative practice of alert meditation allowing an open, non-critical awareness of the present.

Sensory data from the surrounding space merges into a singular aesthetic field. The result is a kind of seismographic translation of both visual and auditory information. My intention is for the work to offer a space within which one may absorb the energetic image as a wordless occasion.